What Camera Is Called Red

Well-nigh filmmakers have heard Scarlet digital cinema cameras, but at that place have been so many changes to their lineup over the years that keeping track can be a bit daunting. This post will brand things unproblematic.

We'll explain the Reddish video camera lineup in layman'southward terms , and then provide a wait back at RED cameras all so that you can find the best RED cinema photographic camera for your filmmaking needs. And so we'll testify y'all custom Cherry-red cameras fabricated for Michael Bay and David Fincher.

1. RED Komodo 6K S35
2. Ruddy Ranger
3. RED DSMC2 Brain
4. Ruby Monstro 8K VV
5. RED Helium 8K
6. RED Gemini 5K
7. RED Dragon 5K
   

RED Digital Cinema

What you NEED to know about Cherry

Recently, Cherry-red camera did a big milkshake upwardly with their cinema photographic camera lineup. They accept effectively broken their lineup into two categories: camera  bodies and camera sensors.

First, let's cheque out the photographic camera bodies:

Cerise Tech Arsenal  •  RED Photographic camera Systems

Red currently features three mainline camera bodies:

1. Komodo – small, fine-tuned for lightweight use.
2. DSMC2 – medium, fine-tuned for modularity.
3. Ranger – large, fine-tuned for film production.

At present, permit's check out the camera sensors:

RED Tech Arsenal  •  RED Camera Sensors

Cherry-red currently features four mainline sensors:

1. Gemini 5K S35 – designed for depression light shooting conditions.
2. Komodo 6K S35 (stock-still sensor) – global shutter; paradigm preview compatibility on RED app.
3. Helium 8K S35 – great for long-altitude shoots.
4. Monstro 8K VV – shallow depth of field, background compression, lens compatibility.

Information technology's worth noting that the Komodo 6K S35 is a stock-still unit; and then as to say that its body and sensor cannot be inverse.

Cherry Digital Cinema DSMC2 Brain

Ruby-red Komodo 6K S35 — Photographic camera Torso & Brain

The RED Komodo 6K S35 is the newest RED camera torso on the market. Perhaps it'due south featherbrained to say the Komodo is the "cheapest" Ruddy photographic camera (it's nonetheless nearly $vi,000), but information technology is… and it's not even close. The Komodo is targeted at a new demographic of customers – those looking for a small form-factor movie theatre grade camera who also have a lot of money.

Ruddy Camera Komodo 6K S35

The RED Komodo is somewhat of a response to the Arri Alexa Mini and other small form factor cinema cameras. That being said, it is a lot cheaper than the Alexa Mini. I know, I know… "cheap" seems like a misnomer. But remember, these are professional form cameras; so as to say they're always going to come with premium cost tags. The question is: is the RED Komodo any good? Well, most working professionals seem to think so.

Let's listen to Tech enthusiast Marques Brownlee share his thoughts on the Komodo.

Cerise Camera Komodo 6K Impressions by Marques Brownlee

As Brownlee notes in his video, the Komodo has had a long route to a total-fledged release. That's because RED tested the waters pretty early on with the Komodo to gauge industry interest.

RED DSMC2 SPECS

THE RED KOMODO CAMERA Encephalon

• RED Camera Toll: $5,995
• Max Information Speed — 280 MB/s
• R3D RAW, Apple ProRes
• RF Mount
• ii.10 lbs
• Wireless Control
• Cable-free Peripherals
• Integrated ii.nine" 1440x1440 touchscreen LCD

As of May 2021, it seems that about of the kinks have been ironed out – but simply keep in mind that the Komodo is all the same technically in beta.

Blood-red Digital Cinema DSMC2 Brain

Reddish Ranger — Camera Body & Brain

The Blood-red Ranger is the current-king of Scarlet camera bodies. It's big, bulky, and completely badass. Currently, the Crimson Ranger can be outfitted with three camera sensors: the Monstro 8K VV, the Helium 8K S35, and the Gemini 5K S35.

RED Camera Ranger Body & Brain

The Monstro is the biggest and baddest of the three variants clocking in at a cool price tag of $59,950. If you're anything like me, that means you're probably not in the market place to purchase i, so if you want to vicariously live the high-life, check out the Cerise Ranger Monstro camera overview and build video from LensProToGo beneath.

Ruddy Camera Ranger Overview and Build by LensProToGo

They don't call the Monstro the Monstro for nothing. This is a big camera body and sensor. In fact, it's more than 3x the weight of the Komodo! Here are the total tech specs for the Monstro variant (full information on all the variants can be found on the Blood-red website).

RED DSMC2 SPECS

THE Crimson RANGER CAMERA Brain

• Cherry-red Camera Toll: $59,950
• 17+ Stops Dynamic Range
• Max Data Speed — 300 MB/south
• R3D RAW, Apple ProRes, Avid
• seven.3 lbs
• Wireless Command
• Integrated Dual Channel Stereo Microphones

The RED Ranger is the type of photographic camera that's almost solely reserved for big-budget films. Sadly, information technology's achieve to the indie world remains ever-elusive.

RED Digital Cinema DSMC2 Brain

RED DSMC2 — Camera Torso & Brain

The Blood-red DSMC2 is the Carmine camera body and camera brain, which houses the image sensor and the advanced calculating components.

Cherry have some specialized versions of this body/encephalon, including Michael Bay'due south "Bayhem" Helium 8K. They also accept the monochrome version, which allows you to capture black & white footage with enhanced resolution and light sensitivity due to the omission of colour data.

Carmine Moving picture Photographic camera DSMC2 Trunk & Encephalon

One thing RED wants you to go on in mind is that their DSMC2 Brain does not have a DC IN power port. This means yous'll be required to purchase a power module or port expander to ability the photographic camera.

To actually brand the DSMC2 viable, you'll need to at least purchase an expander, battery, appropriate lens mount, display that volition allow y'all to come across your image, and media cards. Some of this may seem obvious, but each "accompaniment" can exist every bit expensive as a mirrorless camera body.

RED Digital Cinema  •  Blood-red Movie Camera DSMC2 Footage by Cherry

The last difference in the DSMC2 vs the erstwhile RED bodies is the option to modify lens mount. You tin ain an EF mount for your camera, but then when your great uncle hands downwards that set of PL lenses, y'all'll exist able to purchase the PL lens mountain adapter rather than a new torso.

The Carmine DSMC2 has some impressive specs which include:

RED DSMC2 SPECS

THE Crimson Photographic camera BRAIN

• RED Camera Price: $14,950; $24,500 for Monochrome Model
• Max Data Speed — 300 MB/due south
• R3D RAW, Apple tree ProRes, Avid DNxHR/HD
• Integrated Media Bay
• Wireless Command
• Cable-free Peripherals
• Included OLPF (Upgrade Option)
• Interchangeable Lens Mountain

RED has gone out of its way to create a new purchasing arrangement that gives everyone the same jumping-off point but then allows you lot to select the camera sensor and add-ons that fit your specific needs.

It's like to your favorite 'fast-casual' chain eating place. Everyone gets the aforementioned bowl, and now information technology'south time for you to cull your succulent fillings, like your sensor, simply don't forget that "guac costs actress".

Permit's wait at the RED photographic camera sensor options.

Scarlet Digital Cinema Monstro 8K

RED Monstro 8K — Full Frame

The Reddish Monstro 8K VV (VistaVision) provides resolution that is 17x high definition (1080) and 4x the resolution of 4K video. It can go as high as 60fps at 8K, but to shoot at higher frame rates you'll have to sacrifice some of that 8K, but you yet get 120fps at 4K and 240fps in 1080.

Cerise Movie Camera Monstro 8K VV Sensor

The RED Monstro 8K VV is the largest sensor RED has to offer and is ostensibly full-frame, which isn't traditional for a cinema camera. The 8K resolution will allow you lot to motion in, crop, and focus on areas of your footage without loss of quality. Information technology's cool, only besides creates huge file sizes.

RED MONSTRO VV 8K SPECS

Blood-red's LARGEST SENSOR

• Dynamic Range: sixteen.5+ stops
• Effective Pixels: 8192 × 4320
• Size: 40.96 mm ten 21.lx mm (Diagonal: 46.31 mm)

Do you lot need the Cerise Mostro VV sensor?

If you're not planning to film the next Planet Earth serial or the new Kingsman flick, you probably don't Demand this sensor. The price tag is quite steep, and the huge file size that comes along with the resolution means long edit times, tons of storage, and niche viability.

LensProToGo  •  RED Movie Photographic camera Monstro 8K VV Footage

You may really want that full-frame 8K footage, and if it's that of import to yous every bit a filmmaker then you should totally go for the Red Monstro.

RED Digital Picture palace Helium 8K

Carmine Helium 8K — Super 35

The RED Helium 8K can also go as high as 60fps at maximum resolution, but this sensor size is closer to the traditional Super 35. The Helium sensor is pretty much the aforementioned as the Monstro VV, but smaller in physical size and has lost one-half a finish of dynamic range.

Cherry-red Moving-picture show Camera Helium 8K Sensor

For that extra size and one-half stop of dynamic range y'all get from the Monstro, you'll take to pay more than twice what the Helium costs.

RED HELIUM 8K SPECS

RED's SUPER 35 SENSOR

• Dynamic Range: 16.5+ stops
• Effective Pixels: 8192 × 4320
• Size: 29.90 mm 10 15.77 mm (Diagonal: 33.80 mm)

Do you need the RED Helium sensor?

If you have a quick turnaround for your videos, and will ultimately end upwards lowering the resolution of your footage, you probably don't need this sensor, fifty-fifty with all of the advantages of reframing in 8K.

Carelessness Visuals  •  RED Movie theatre Camera Helium 8K Footage

These 2 8K sensor options for Ruby cameras will be both a headache and a kick to the wallet, so are in that location cheaper and manageable options?

Ruby Digital Cinema Gemini 5K

RED Gemini 5K — Super 35

The RED Gemini 5K has a few obvious differences from the Monstro and the Helium, most significantly the driblet down to 5K resolution. The Gemini has two shooting modes, 1 is standard mode with a native ISO of 800, and the other is low-light mode with a native ISO of 3200.

RED Cinema Camera Gemini 5K Sensor

Low-light is good for concerts, or documentary filmmaking, and produces less noise than the original RED Dragon camera sensor. The standard mode is yet platonic for digital cinema and narrative filmmaking.

The Cerise Gemini gives yous the same 4K resolution at 120fps every bit the Cerise Helium and Monstro, which means you lot can capture deadening-motion video with the same quality without paying for the extra 3K resolution.

RED GEMINI 5K SPECS

Carmine's Low Low-cal SENSOR

• Dynamic Range: 16.v+ stops
• Constructive Pixels: 5120 × 3000
• Size: 30.72 mm 10 18.0 mm (Diagonal: 35.61 mm)

Do you need the RED Gemini sensor?

If y'all need a RED camera for a big diversity of filmmaking jobs, I'd say the Gemini is your best bet. You non merely get fantastic resolution forth with the depression light operation, merely yous as well salve effectually $5,000 when laying up and going for the Gemini instead of the Helium.

Reddish Cinema Camera Gemini 5K Sensor Review by Across the Specs

You tin take that $five,000 and invest in much-needed accessories for your camera because they're probably more than important than that actress resolution, and you'll ultimately save on lights and time as well. You'll become every across-the-board advocacy RED has made to their new sensors, and y'all'll have striking that sweet spot with your camera budget.

RED Digital Movie theater Dragon-X 5K

RED Dragon-X 5K — Super 35

The Ruby Dragon-Ten 5K is the smallest of all the sensors in the lineup and while it however produces 5K video like the Gemini sensor, it loses some of the vertical picture infinite due to the smaller physical sensor size. Yous can purchase the Cerise Dragon-Ten 5K kit for about $22,000.

RED Cinema Camera Dragon-Ten 5K Sensor

The other big difference is basically that Ruddy added their IPP2 (image processing pipeline 2) arrangement to the quondam Dragon sensor, which means y'all'll have greater control over your footage in mail service.

The Ruby-red Dragon-X 5K however allows you lot to moving-picture show true 4K at 120fps, and even so goes equally high as 240 fps in full Hard disk drive, which is withal the quality at which nearly streamable content is provided due to the huge file size of 4K.

RED DRAGON-X 5K SPECS

Cherry-red's RETIRED SENSOR

• Dynamic Range: 16.5+ stops
• Effective Pixels: 5120 × 2700
• Size: 25.6 mm ten thirteen.5 mm (Diagonal: 28.9 mm)

Exercise yous need the RED Dragon-X sensor?

Purchasing a camera almost always comes down to awarding, flick quality, time until next upgrade, and the price. What this basically ways is that you demand to consider what you will be recording on your photographic camera, the film quality you proceeds from it, how long until the camera becomes obsolete and needs to exist upgraded, and how much the camera costs. It seems Crimson is retiring the Dragon from its main line of sensors – but it's still an option for resale.

Arturo Madrazo  •  Blood-red Cinema Camera Dragon-X 5K Footage

If you're making narrative films, you probably won't need to a higher place 4K footage for at least three years, then spending extra coin for 8K isn't really necessary, especially if it's the Monstro VV sensor.

If y'all're trying to decide between the Dragon-X and the Gemini, I'd probably suggest y'all go ahead and spend the extra $5,000 and get the Gemini, mainly considering y'all'll accept greater capabilities and your photographic camera will be able to be used on a greater number of projects.

Used RED Digital Cinema Cameras

Ruby product and term glossary

So, now you know the new Scarlet camera lineup details and y'all're ready to make a buy or rent for your next projection, just and then you see that the Reddish Raven is actually cheaper than the Dragon-Ten kit. Then you start to wonder about used RED cameras, or the Scarlet Weapon 8K. What about the Scarlet-W your moving picture school buddy has, or the RED Epic?

All of a sudden, yous start to wonder who would win in a fight between a Dragon and an Epic but then you think one is a mythical creature and the other is just a absurd name for a really long poem.

How can yous peradventure know which RED photographic camera is the all-time? Furthermore, how can you know which is a camera vs a sensor vs an integrated kit? Allow'southward chop-chop ascertain some Scarlet camera terminology:

RED One

The Blood-red One is a photographic camera body, brain, and sensor. Information technology's the entire photographic camera system, and the outset production photographic camera introduced past Cerise in 2007. They later offered upgrades to a fourteen-megapixel sensor called the "M-Ten".

The RED One is said to have finer the same quality every bit 35mm film, though most filmmakers looking for a "film look" will prefer the image received from an ARRI camera like the Alexa.

RED Epic

The RED Ballsy is a camera body/brain. It came later the RED One, and originally featured the M-X sensor, just then offered the Dragon sensor, and you tin now upgrade your Epic to the Helium and Gemini sensors. The Epic was the higher-terminate version of the first DSMC trunk/encephalon, and it has higher frame rate capability when compared to the Scarlet Scarlet.

Scarlet Ruby

The Reddish Scarlet is a camera body/brain. It was built to compete with cameras like the Canon C300 and had fewer capabilities than the Crimson Ballsy. In 2015, RED fabricated the Dragon 5K sensor available for the Ruby-red as well, only that was a "downgrade" from the RED 6K Dragon from 2013.

Confused withal?

Carmine Dragon Camera Sensor

The Ruby Dragon is a sensor. Originally it was 6K, but then Cerise took it all the way up to 8K, only since and then decided to calibration it back down to 5K, but non before improving and rebranding the Dragon 8K into the Monstro. That judgement sounds awful, but that'due south considering it'due south an accurate layman summary of the RED Dragon camera sensor history over the past decade.

Scarlet Raven

The RED Raven is a discontinued camera kit that used the Raven brain (early on DSMC2) and is the little brother of the RED Dragon-X. It has the original Dragon sensor but with 4.5K resolution, a fixed EF mount, and was the showtime of REDs move into the DSMC2 encephalon.

RED Weapon

The Scarlet Weapon 8K/6K was the original branding name of the new RED sensors paired with the DSMC2 brain. The Ruby Weapon term nonetheless exists, and you can cameras for rent that say "weapon", only RED no longer sells the Cerise Weapons, they now only sell the DSMC2 trunk/encephalon with the Monstro and Helium 8K sensors, or Gemini and Dragon-X 5K sensors.

REDCINE X Pro

In one case you lot've captured footage, you lot'll run it through REDCINE 10 Pro which is a gratuitous-of-charge postal service-processing software congenital for Crimson photographic camera systems. It has an integrated timeline, coloring toolset, and post effects software that allows for non-subversive manipulation of raw .R3D files.

RED ROCKET

RED decided to build an internal PCI Express card that, regardless of resolution, was designed to accelerate the processing of R3D workflow, and called it the Ruby Rocket. Look… I know what y'all're thinking.

Why would they name information technology "rocket"? It's times similar these when you realize RED is obsessed with repurposing whatsoever term or name with the word "Cerise" to somehow piece of work with their camera lineup.

Soon filmmakers can decide if they want to apply the grumpy simply dependable RED Fox, and accept their footage simulate the 1950's motion-picture show-wait with a sepia tone integrated LUT known as the RED Scare.

Custom Ruby Digital Cinema Cameras

Look at these nectar RED cameras

RED has a few filmmakers who love their cameras, so RED did a little marketing scheme where they fabricated custom cameras for a few filmmakers but and then made them unavailable to the public. Very clever!

MICHAEL BAY'S CUSTOM Scarlet Camera

This is the Crimson Helium with a custom trunk shape created specifically for Michael Bay and painted "Nike Green" per Bay's asking.

Victoria'south Secret  •  Ruby-red Digital Photographic camera Bayhem 8K Helium

Some might find it a bit ostentatious, maybe even a scrap tasteless, but I happen to think information technology's a pretty cool looking camera.

DAVID FINCHER'S CUSTOM RED CAMERA

This is the RED Xenomorph that features the 6K Dragon sensor – simply more importantly, the camera body has everything fully integrated; including the wireless transmitter, on-board monitor, and wireless controls for the iris and focus rings and so you can just adhere a lens and get shoot.

Mindhunter  •  Crimson Digital Photographic camera Xenomorph 6K

Upwards Side by side

thirty Best Cinematography Techniques & Tips You Didn't Larn in Film School

So now yous know a fiddling more than near the Cherry-red digital picture palace photographic camera lineup, and you lot're fix to rent the right photographic camera for your project. Take a look at our mail service on Cinematography Techniques & Tips Y'all Didn't Learn in Picture show Schoolhouse to become you even more than ready for your day on ready.

Upwardly Next: Cinematography Techniques & Tips →

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Source: https://www.studiobinder.com/blog/red-digital-cinema-camera/

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